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They performed together a new version of Mo's "Am I Wrong" on the album and some more songs in the 30 concerts at the arena tour later the same year, documented on the live album Begenungen Live, released in early 1999. In 1998, Moore was involved in the multi-artist project "Begegnungen (Encounter)" by German rock musician Peter Maffay. This session (known as Sessions at West 54th: Recorded Live in New York) was shown on television, but was not released as a DVD until late 2000. He joined musicians Laval Belle on drums, Reggie McBride playing bass, and Joellen Friedkin on keyboards to perform fourteen songs, some from each of his albums. On June 10, 1997, Moore performed on the television program Sessions at West 54th. He won his first Grammy Award for this album, which featured guest appearances from Jackson Browne and Bonnie Raitt.
#John mayer where the light is delta blues full
In 1996, he released Just Like You, his second album, which featured twelve songs full of Delta rhythms. Keb' Mo's self-titled album was released on Okeh Records, a vintage revival division of Sony Music. Keb' was the runner-up for Best New Blues Artist at The Long Beach Blues Festival, where he was spotted by Steve LaVere, who owns the publishing for the entire Robert Johnson song catalogue (1992–93). In the Martin Scorsese miniseries The Blues, Keb' Mo' states that he was greatly influenced by Johnson. In 1994, Keb' Mo' released his self-titled album, Keb' Mo', which featured two Robert Johnson covers, " Come On In My Kitchen" and " Kind Hearted Woman Blues". The character of Guitar Man is the foundation for his stage persona. His character, Guitar Man, learned while he was an understudy to "Chick Streetman", played all the actual music in the play while performing. Wolfe, an adaptation of three short stories by Zora Neale Hurston. Keb' Mo' has appeared on stage (1990–1993) in several versions of the musical Spunk, by George C. Moore jammed with Albert Collins and Big Joe Turner and emerged as an inheritor of a guarded tradition and as a genuine original.
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He was further immersed in the blues with his long stint in the Whodunit Band, headed by Bobby "Blue" Bland producer Monk Higgins. Keb' Mo's debut, Rainmaker, was released on Chocolate City Records, a subsidiary of Casablanca Records, in 1980. Moore was also a staff writer for A&M Records, and arranged demos for Almo – Irving music. Red Octopus hit number one on the Billboard 200 in 1975. Keb' Mo's first gold record was received for a song, "Git Fiddler", which he co-wrote with Creach on Jefferson Starship's Red Octopus. Creach hired him when Moore was 21 years old Moore appeared on four of Creach's albums: Filthy!, Playing My Fiddle for You, I'm the Fiddle Man and Rock Father. He first started recording in the early 1970s with Jefferson Airplane violinist Papa John Creach through an R&B group. He moved on to play in a variety of blues and backup bands throughout the 1970s and 1980s. Keb' Mo' started his musical career playing the steel drums in a calypso band. By adolescence, he was an accomplished guitarist. From early on, Keb' Mo's parents, who were from Louisiana and Texas, instilled him with a great appreciation for the blues and gospel music.